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Artem Belogurov



















Octavie Dostaler-Lalonde

   


Known equally for his “verve, wit, and delicatesse” (Boston Musical Intelligencer) and his “infinite tenderness” (Evening Odessa), Artem Belogurov has an extensive repertoire, ranging through three centuries of solo and chamber works. He has a particular affinity for the Viennese classical style, in which he is distinguished by his use of improvisatory ornamentation. His interest in period performance lead him to historical keyboards, including clavichord, harpsichord, and fortepianos spanning the

the eighteenth and nineteenth centuries. His critically acclaimed album of solo piano works by the late nineteenth century American Romantic composers, recorded on a Chickering piano built in 1873, was released by the London-based label Piano Classics in 2015. He is also a discerning advocate of contemporary music, and collaborates with a number of composers. In 2009 he had the honor of performing the Boston premiere of Elliott Carter’s Caténaires for solo piano.  As a soloist and in chamber groups, Artem has performed in a wide variety of venues, among them Jordan Hall, Harvard Musical Association, the Universität der Kunste in Berlin, the Musikhochschule in Hanover and St Andrews University in Scotland, the Odessa Philharmonic Hall in Ukraine and (more…)                 

Octavie Dostaler-Lalonde  specialises in period performance practice on the

cello and performs chamber and solo repertoire throughout Europe and North

America. Her performances are characterised by fresh and inventive

interpretations, inspired by a historical approach. Octavie plays with many ensembles, including the early music groups Ensemble Caprice, Rendez-vous Baroque Français, Les Lys Naissants, and the chamber ensembles Epsilon, quintette à cordes,

Ensemble Arkea, Ensemble Allogène and Ensemble Paramirabo on their canadian tour and artist residency at the Banff Centre for the Arts. She has performed as a soloist with the Orchestre Symphonique du Conservatoire de Montréal and the Montreal Youth Symphony Orchestra, as well as the Sweelinck Baroque Orchestra. In 2015, she toured Belgium and the Netherlands with ensemble Cordevento, led by Erik Bosgraaf, and performed with the Nieuwe Philharmonie Utrecht. Having received her MA in baroque cello at the University of Montreal, where she studied with Susie Napper, Octavie is currently a student of Viola de Hoog at the Amsterdam Conservatorium.  (more…)                  

Artems’ site…  On Spotify….   On Youtube…..

Octavies’ site…  On Youtube…..